MYLLERR 

THE FIVE DOMAINS

A Metaphysical Art System in Five Domains

Myllerr is a conceptual artistic system exploring existence, consciousness, and the transformation of singularity into manifestation through five interconnected domains:

Origin → Expansion → Dimension → Presence → Duration

Each domain represents a distinct stage in the evolution of the Myllerr artistic language — from a singular point toward multiplicity, consciousness, presence, and temporal duration.

Every artwork exists as a unique manifestation. Works are issued as edition 1/1, with one universal exception: in multi-entity works, the edition size corresponds exactly to the number of identifiable biological or hybrid entities depicted.

Myllerr Edition Principle

In such works, each impression is personally assigned by the artist to one specific figure. The collector acquires not merely a print, but the personal manifestation of a chosen entity. Thus, seemingly identical prints gain a unique metaphysical identity — expressing the interpenetration of singularity and multiplicity.

DOMAIN I — SINGULARITY
The Origin
Status: Closed Cycle

Singularity represents the origin point of the Myllerr system.

Beginning with One (2010), this domain explores the transition from unity into differentiation: from the first point of existence toward complexity, structure, and consciousness.

The singular point becomes the symbolic source from which all later manifestations emerge.

Works

• One (2010) — giclée print on fine art canvas, 80 × 80 cm, edition 1/1
• Solar Eclipse (2015) — giclée print on fine art canvas, 80 × 80 cm, edition 1/1
• Solar Eclipse II (2025) — giclée print on fine art canvas, 80 × 80 cm, edition 1/1
• Weltgeist (2016) — giclée print on fine art canvas, 80 × 80 cm, edition 1/1
• Weltgeist II. (2024) — giclée print on fine art canvas, 80 × 80 cm, edition 1/1
• Shining (2024) — giclée print on fine art canvas, 60 × 60 cm, edition 1/1
• Shining II (2024) — giclée print on fine art canvas, 60 × 60 cm, edition 1/1
• A Single Point (2023) — giclée print on fine art canvas, 60 × 60 cm, edition 2/2

DOMAIN II — RESONANCE
The Expansion
Status: Closed Cycle

Resonance explores expansion as the first movement beyond singularity.

Rather than depicting repetition itself, the works investigate how a singular origin unfolds into relationships, multiplicity, and interconnected existence. Expansion is understood as a metaphysical process through which the One becomes many while preserving its essential unity.

The collection also includes  Point (2025) — a conceptual artwork existing outside conventional edition logic.

State: ∞

An open conceptual work without edition limits.

Freely accessible in digital form, it allows unlimited reproduction and physical realization, transforming the singular conceptual principle into infinite manifestations.

Works

• Point (2025) — printable conceptual artwork, 8 × 8 cm 3D printable frame, State ∞
• Clones (2025) — giclée print on fine art canvas, 80 × 80 cm, edition 2/2
• Metaphysical Analogy and the Torso (2024) — giclée print on fine art canvas, 80 × 80 cm, edition 1/1
• Philosopher Woman Walking in the (2024) — giclée print on fine art canvas, 80 × 80 cm, edition 1/1
• Sacramentum Octavum (2024) — giclée print on fine art canvas, 60 × 60 cm, edition 1/1
• Gate (2023) — giclée print on fine art canvas, 60 × 60 cm, edition 1/1
• The Comeback (2023) — giclée print on fine art canvas, 60 × 60 cm, edition 2/2
• Peregrinatio ad Singularitatem (2022) — giclée print on fine art canvas, 60 × 60 cm, edition 8/8

DOMAIN III — AXIS MUNDI
The Dimension
Status: Closed Cycle

Axis Mundi represents the emergence of consciousness as a new dimension of existence. Within this space, artistic creation becomes the meeting point between perception and reality. The works explore how consciousness shapes experience, how the observer participates in the formation of meaning, and how inner and outer realities continuously influence one another.

Installations, digital environments, moving images, and conceptual works become instruments for investigating the very nature and operation of consciousness. At its core, Axis Mundi questions whether consciousness merely perceives and interprets reality, or whether it actively participates in shaping its emergence.

Works

• Tower (Nullpoint) (2023) — conceptual / thought art, NFT certificate, edition 1/1
• Time Dilation (2018) — video installation, digital projection, edition 1/1
• Silentium (2024) — conceptual installation, destroyed (no longer extant), edition 1/1
• Monk (2024) — giclée print on fine art canvas, 152 × 51 cm, edition 2/2
• In Symbiosis (2025) — giclée print on fine art canvas, 64 × 64 cm, edition 1/1
• As We Watch (2025) — giclée print on fine art paper, 96 × 96 cm, edition 2/2
• Material Feeding in the Louvre (2022) — video installation, digital projection, edition 2/2
• Peregrinatio ad Singularitatem II (2026) — 360° immersive VR installation, digital environment, edition 1/1

DOMAIN IV — MANIFESTATIO
The Presence
Status: Closed Cycle

Manifestatio explores the moment when invisible structures become visible.

It investigates the transition from potential into manifestation — the moment when consciousness encounters itself through form.

The cycle unfolds through eight unique manifestations, tracing the emergence of presence: from pure potential through form to the most personal and transient state.
It begins with Presence — an empty white space where the visitor themselves becomes the work. Looking turns back onto itself. There is nothing to look at; the presence of the viewer is the artwork.

The six middle pieces document the various appearances of the entity — the successive forms in which the invisible structure becomes visible.

I (Temporary) is the closing work.
It is neither image nor installation.
It is the artist’s own earthly presence, for as long as he lives.
When the artist dies, the I (Temporary) ceases to exist.

Presence made the visitor the work.
I (Temporary) makes the creator the work.
Together they frame the six images of the cycle: one side exhibits the visitor’s presence, the other side is the artist’s own temporary existence — a private, lifelong performance closed to the public, existing solely for the one who contemplates it.

Works

• Presence (2025) — conceptual art / installation, state ∞ ↔ 0, axiom / non-edition / process state
• La prima colazione (2025) — giclée print on fine art canvas, 80 × 80 cm, edition 2/2
• Face (2025) — giclée print on fine art canvas, 80 × 80 cm, edition 1/1
• The Entity (2025) — giclée print on fine art canvas, 80 × 80 cm, edition 1/1
• The One Who Pours Tea for the Void (2026) — giclée print on fine art canvas, 80 × 80 cm, edition 1/1
• The Open  Door (2026) — giclée print on fine art canvas, 80 × 80 cm, edition 2/2
• Next (2026) — giclée print on fine art canvas, 80 × 80 cm, edition 1/1
• I (Temporary) — conceptual art /process state

DOMAIN V — ECHO
The Duration
Status: Active Domain

Echo extends the Myllerr investigation into time, memory, and transformation.

Here, duration becomes artistic material. Films, animations, sound works, moving images, installations, and graphic works explore consciousness and existence as continuous processes unfolding through time.

Echo is not defined by a specific medium, but by an ongoing artistic inquiry into the nature of duration and change. Its archive remains open to future manifestations, allowing the Myllerr artistic language to evolve without predetermined limits.

Works

• 010 (2016) — experimental short VR film
• Earth (2025) — short video
• Öntudatlan sorok (2025) — short video
• AREA (2026) — experimental animation

DOMAIN STATUS SUMMARY

Exhibitions

DIGITAL AGORA 2025
IV International Digital Art Triennial
Szekszárd, Hungary (2025)

DIGITAL AGORA 2026
IV International Digital Art Triennial
Vigadó, Budapest, Hungary (2026)